MoCC Voulkos Works On View in Fighting Men
Two Peter Voulkos works from the Museum of Contemporary Craft collection are currently on view in the exhibition Fighting Men: Leon Golub, Peter Voulkos, and Jack Kirby curated by artist, writer, and PNCA faculty member Daniel Duford for the Hoffman Gallery at Lewis & Clark College. Fighting Men looks at images of violence and masculinity in and through the work of Leon Golub, a painter, Pete Voulkos, a ceramist, and Jack Kirby, a cartoonist. Duford is a Ford Family Fellow whose own work was most recently in the Portland2012 Biennial.
Duford says in an essay on the exhibition, “Jack Kirby (1917-1994), Leon Golub (1922-2004), and Peter Voulkos (1924-2000) occupy alternate dimensions. Their achievements are chronicled in different art histories, each with its own priorities. They were all immersed in discredited mediums and subject matter. They don’t fit neatly. At times their work looks conservative and backward; at other times those same qualities seem urgent and prophetic. They rooted around in the mud of history and myth, emerging with their own muscular and ham-fisted approach to their respective materials.
“The specter of violence and the consequences of power animate this exhibition. Raw power emanates from the artwork.”
The exhibition closes March 3, 2013. The Ronna and Eric Hoffman Gallery is open Tuesday through Sunday, 11-4.
— Posted on 10/30 at 04:04 PM
BCCTV in Community Showcase
Through January 12, 2013, learn more about the work of BCCTV (or Bud Clark Commons TV) via the archival exhibition in our Community Showcase.
BCCTV offers classes on how to make, edit and share videos that are free and open to anyone who has, or is currently experiencing homelessness. Based in the Bud Clark Commons, an innovative new center in NW Portland that serves persons who are homeless, BCCTV also hosts regular public screenings of videos made here and elsewhere. BCCTV is organized by artists-in-residence Carl Diehl, Ariana Jacob, Joan Lundell, Mack McFarland, and Jeffrey Richardson, as the “intersections: public art residencies,” A City of Portland Percent for Art program administered by Regional Arts & Culture Council and developed in collaboration with Home Forward and Transition Projects, Inc.
— Posted on 10/26 at 03:38 PM
Wiggers’ Pew Center Interview
Namita Gupta Wiggers, Director and Chief Curator is interviewed on The Pew Center for Arts & Heritage blog Pigeons on the Grass Alas: Contemporary Curators Talk About the Field. She is asked about the contributions that can be made by an arts institution that is located outside major art centers, how she researches and conceives exhibitions, what she learns from working with artists, and which curators inspire her. The interview provides a great window into the thinking behind the scenes at the Museum.
Wiggers says, “We have a responsibility to ensure that museums remain public institutions in which people can borrow experiences with real objects—works that they would otherwise never encounter. It becomes increasingly vital in a climate where basic rights to access, diverse approaches, and the arts are at risk, that we not forget the crucial role we must all play in maintaining visibility for the arts for our generation and those to follow.”
— Posted on 10/25 at 03:14 PM
WHAT are you looking at?
Students from the graduate programs at Pacific Northwest College of Art (PNCA) do Pecha-Kucha-style presentations, Wednesday, October 24 from 6-7:30 pm in the Lab.
Selected students from the MFA in Applied Craft + Design, MFA in Collaborative Design, MFA in Visual Studies, MA in Critical Theory + Creative Research, and Low-residency MFA in Visual Studies share rapid-fire presentations of 3 minutes and 20 seconds apiece — giving you a quick overview of what the next generation is thinking about, looking at, and making.
Free and open to the public.
— Posted on 10/23 at 10:28 AM
Design Week Portland
At the Museum, the inaugural Design Week Portland kicks off with the Moveable Type Truck, graphic and social design projects in The Lab, a lecture by Sergio Palleroni at Mercy Corps on Design with the Other 90%: CITIES, and more throughout the week. Films, tours of studios and design firms, college programs, lectures, and more reveal the range of design offerings available in the city of Portland.
Museum of Contemporary Craft has helped organize and is co-sponsoring a number of events for Portland’s inaugural Design Week, Tuesday, October 9 – Saturday, October 13.
Rethinking Shelter: Open Discussion with Sergio Palleroni
Tuesday, October 9, 7pm
Aceh Community Room, Mercy Corps
PSU Department of Architecture, MoCC + Mercy Corps
This event is free, and open to the public, but requires a ticket. Please RSVP through EventBrite here.
Sergio Palleroni, Professor of Architecture at Portland State University, and participant in Design with the Other 90%: CITIES, will lead an open discussion with PSU Master of Architecture students and a group of leading Portland designers. The discussion will focus on a student project addressing youth homelessness. Projects will be on view in an exhibition titled Rethinking Shelter during Design Week Portland at Mercy Corps. This program is in conjunction with Design with the Other 90%: CITIES, on view at Museum of Contemporary Craft (724 NW Davis) and Mercy Corps Action Center (28 SW First Avenue).
NW Open House
Thursday, October 11, 3-6pm
Museum of Contemporary Craft
The Museum is Free and open to the public on Thursday afternoon in celebration of Design Week.
EXHIBITIONS IN THE LAB
Urban Learning Lab: Works from the MFA studios of Collaborative Design (PNCA) and Applied Craft + Design (PNCA + OCAC)
Students pursuing an MFA in the departments of Applied Craft + Design, a joint program between Pacific Northwest College of Art and Oregon College of Art and Craft, and Collaborative Design, a program of Pacific Northwest College of Art, are encouraged to engage with the city-utilizing Portland as a laboratory-to cultivate an entrepreneurial and critical approach to meaningfully address the emerging challenges of the 21st century. Founded on grass-roots ingenuity, collaborative inquiry, and cross-disciplinary exchange, the projects exhibited in Urban Learning Lab connect design thinking to design doing, cultivating innovative and sustainable solutions for the city of Portland and beyond.
October 9 – January 12
BCCTV offers classes on how to make, edit, and share videos. These classes are free and open to anyone who has, or is currently experiencing homelessness. Based in the Bud Clark Commons, an innovative new center that serves persons who are homeless located in NW Portland, BCCTV will also host regular public screenings of videos made here and elsewhere. BCCTV is organized by artists-in-residence PNCA faculty member Carl Diehl, Ariana Jacob, current MFA in Collaborative Design student Joan Lundell ’13, alumnus Mack McFarland ’06, and Jeffrey Richardson. It is part of the “intersections: public art residencies,” a City of Portland Percent for Art program administered by Regional Arts & Culture Council and developed in collaboration with Home Forward and Transition Projects Inc.
Featuring a selection of work from local publications and presses, along with related work that art directors and designers look to for inspiration, this exhibition is a love letter to print publishing and the people who shape it in Portland.
— Posted on 10/08 at 03:53 PM
Portland as Design Incubator
Our very own Director Namita Gupta Wiggers joins the ranks of Portland Kate Bingaman Burt (Portland State University), Aaron James Draplin (Draplin Design Company), Eric Hillerns (Designspeaks/Straight Six), Duane King (Huge/KingCoyle), and Tsilli Pines (Creative Mornings/Portland) in the Design Week Portland video. She characterizes Portland as “a city that’s rethinking who we are which gives the opportunity anybody who is thinking through design to be able to act in a really really positive way.”
Design Week Portland from Design Week Portland on Vimeo.
See what else Namita has to say about Portland’s role in design and making.
— Posted on 10/01 at 06:22 PM
Join us at the Museum of Contemporary Craft to welcome ceramic artist Erik Gronborg for a day-long symposium in conjunction with his retrospective, Reflecting on Erik Gronborg, on view through February 16, 2013. In addition to the artist himself, the Museum will host the exhibition’s co-curator, Seattle-based artist Jeffry Mitchell; ceramicist, scholar, creator of the blog Extreme Craft, and guest curator at MoCC (Era Messages), Garth Johnson; and a public walk-through of the exhibition with Portland collector and ceramics enthusiast, Ron Werner. This event is an opportunity to participate in a full-day of dialogue with one of America’s preeminent ceramic artists whose provocative “crafty” approach pioneered and continues to challenge notions of “sloppy craft” as they exist today.
Schedule of events
Saturday, October 20:
9:30 am: Arrival and check-in
9:45 am: Namita Wiggers, Welcome
10 am: Garth Johnson, Introductory Presentation: “Erik Gronborg: Materiality goes POP,” followed by Q/A
11 am: Erik Gronborg, Keynote, followed by Q/A
12 noon: Lunch, (suggested eating places will be provided)
1:30 pm: Jeffry Mitchell and Erik Gronborg in dialogue
2:30 pm: Ron Werner leads a walk-through of the exhibition, Reflecting on Erik Gronborg
All events are ticketed with the exception of the 2:30 walk-through, which is free and open to the public.
$25 for the day-long symposium; $15 for Members and Students with ID
Register for the symposium here. Seating is limited.
For additional information, direct queries to Sarah Margolis-Pineo, associate curator: email@example.com
— Posted on 09/28 at 05:59 PM
Cynthia E. Smith, Curator of Socially Responsible Design at the Cooper-Hewitt, National Design Museum, lectures on Wednesday, September 26 at 6:30 pm in the Lab. This lecture coincides with the exhibition Design with the Other 90%: CITIES which Smith curated for the Cooper-Hewitt, National Design Museum.
Design with the Other 90%: CITIES is currently on view at both Museum of Contemporary Craft and Mercy Corps Action Center through January 5, 2013. The exhibition explores design solutions to the challenges created by rapid urban growth in informal settlements, commonly referred to as slums.
Smith provides a global overview of the design, thinking, approach, and frontiers of invention aimed at serving the urban poor in connection with the exhibition. After curating the first exhibition of the Cooper-Hewitt’s series on humanitarian design in 2007, Smith spent a year of field research in 15 different cities in Asia, Africa, and Latin America, focusing on successful design solutions to rapidly expanding, informal urban settlements. For her CraftPerspectives lecture, Smith will take the audience behind-the-scenes on this groundbreaking exhibition series.
To learn more about CITIES visit designother90.org/cities
— Posted on 09/18 at 06:27 PM
Namita in Asian Reporter
In a piece called “The Constancy of Change: Namita Gupta Wiggers appointed director and chief curator at MoCC,” the Asian Reporter profiles Wiggers new role in the development and growth of the Museum.
It chronicles Wiggers rise from curator to director and traces her roots of involvement with museums back to a trip to Cincinnati Art Museum when she was six years old.
Read the full article on the Asian Reporter website.
In looking to the future of MoCC, Wiggers comments that “right now, we have an opportunity to redefine the role of the museum in the next century.”
— Posted on 09/17 at 11:13 AM
Honoring Bill Moggridge
The Museum of Contemporary Craft honors Bill Moggridge, director of the Smithsonian’s Cooper-Hewitt, National Design Museum, who passed away at the age of 69, following a battle with cancer.
Moggridge lived a life dedicated to the practice of design. His impact ripples into the lives of the every person, from the personal to the national. He designed the first laptop computer and leading the Cooper-Hewitt as director into the finish of its largest capital improvement. His legacy is felt here in Portland, where Design With the Other 90%: CITIES, currently on view from the Cooper-Hewitt, examines humanitarian design.
Moogridge served as the Cooper-Hewitt’s fourth director (2010-2012) establishing the Museum as the preeminent design resource for the nation. He is known for heralding design into the everyday pockets of everyday living. Of design, he says, “few people think about it or are aware of it. But there is nothing made by human beings that does not involve a design decision somewhere.”
Moggridge is known for heralding design into the pockets of everyday living. Of design, he says, “[f]ew people think about it or are aware of it. But there is nothing made by human beings that does not involve a design decision somewhere. One of his colleagues Tim Brown said that Bill Moggridge “approached every technology with a lovely naivete… He was never interested in technology for technology’s sake but only in what ti could do to help people have more interesting lives.”
— Posted on 09/10 at 05:02 PM
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