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Generations: Betty Feves

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Betty Feves Conducting a Raku Workshop

While conducting an artist demonstration in Oregon, Betty Feves speaks to a class about how she makes her ceramic work, the pros and cons of working with the raku technique, and the uniqueness of Eastern Oregon clay (c. 1970).

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Betty Feves Lectures at Ceramics 80 symposium

Betty Feves delivers a slideshow lecture at Oregon State University about being a student of Clyfford Still and Alexander Archipenko, moving to Pendleton with her husband Louis and raising a family, and how she made a life of working with clay. Courtesy of Feves Family Archives.

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Interview with Bob Lanman

Interview between Bob Lanman and Namita Gupta Wiggers, Julie Feves and Jinx Whiteman Patterson about apprenticing with Betty Feves in Pendleton.

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Interview with James Lavadour

Interview between James Lavadour and Namita Gupta Wiggers about Betty Feves, mentorship and the artist’s responsibility within his or her community.

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Interview with Marjorie Iburg

Isaac Callendar interviews Pendleton resident Marjorie Iburg about her friendship with Betty Feves, in conjunction with the exhibition.

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Curator Lecture: Namita Gupta Wiggers

Curator Namita Wiggers discusses Generations: Betty Feves with a lecture about the influence of ceramicist Betty Feves on the regional and national art scene.

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CraftPerspectives Lecture: Maria Elena Buszek

Scholar, critic and curator Maria Elena Buszek gives a lecture for Museum of Contemporary Craft and the MFA in Applied Craft and Design as part of the 2011–2012 Graduate Visiting Artist Lecture Series.

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CraftPerspectives Lecture: Jenni Sorkin

Art historian Jenni Sorkin explores Betty Feves’ career against the backdrop of mid-century modernity and her involvement in the Ceramic Nationals as part of the Generations: Betty Feves exhibition.

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CraftPerspectives Lecture: Chris Taylor

Architect and educator Chris Taylor gives a lecture titled “Testing Perceptual Thresholds with Land Arts of the American West” for the 2011-2012 Graduate Visiting Artist Lecture Series and in conjunction with Generations: Betty Feves.

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Think Out Loud

Curator Namita Wiggers phoned in from the Feves Home in Pendleton to be interviewed on Oregon Public Broadcasting's Think Out Loud.

Oregon Art Beat

Oregon Public Broadcasting's Oregon Art Beat featured the Generations: Betty Feves exhibition. The segment aired Thursday, April 26, 2012. The segment can be viewed on Oregon Art Beat.








March 15, 2012 – July 28, 2012

Curated by: Namita Gupta Wiggers

“My strength as an artist is in my imagination, the ability to create, to bring ideas into form that will have an impact upon people, to make them aware of beauty and love in the simple things all around us: the clay, the rocks, the forests, the streams, the fields.” —Betty Feves

Generations: Betty Feves is the first Museum retrospective to honor the legacy of one of Oregon’s important arts leaders. Betty Whiteman Feves (1918–1985) belongs to a generation of mid-century vanguard artists who set the stage for dynamic shifts in the use of clay in art. Featuring over 150 objects ranging from her student work in the 1930s to her final projects in the early 1980s, the exhibition spans themes that guided Feves’ work throughout her lifetime: figures, dwellings, sculptural slab structures, pottery, bonfire and raku pots, and large architectural installations. An advocate for living locally throughout her lifetime, Feves created her own clay bodies and glazes using materials in her immediate environment, taught art in her community, shared her musical talent through private violin lessons for area schoolchildren, and brought the Suzuki method for violin to the Pendleton schools. She mentored numerous younger artists and advocated for the arts in education by serving on the Pendleton school board as well as the State Board for Higher Education. In 1977, Feves was one of the first recipients of the Governor’s Arts Award for the State of Oregon for which she was recognized for both art and music.

Her rise to national prominence was rapid with nearly simultaneous exhibition debuts in 1952 on both the West and East coasts in the Third Annual Exhibition of Northwest Ceramics, Oregon Ceramic Studio (now Museum of Contemporary Craft) and the 17th Ceramic National, Syracuse Museum of Fine Arts (now Everson Museum of Art), NY. Her dedication to her work, to experimentation, and to understanding the medium of clay contributed to the establishment of the American Craft Movement.

The exhibition concludes the 75th Anniversary celebration of the Museum of Contemporary Craft. Founded in 1937 by Lydia Herrick Hodge and a corps of women volunteers as the Oregon Ceramic Studio, the Museum is the oldest organization dedicated to modern and contemporary craft in the United States and now operates in partnership with Pacific Northwest College of Art. Generations: Betty Feves celebrates leadership in the arts and the role women have played in shaping the cultural climate of Oregon today.

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PUBLICATION

The exhibition is accompanied by a 192-page, full-color publication, available for sale online, in The Gallery, or by calling 503 546 2654.
 

LOCATION

Lower, Upper, and Collection Galleries

ADDITIONAL SUPPORT:

Anonymous • Mary & Brot Bishop • The Center for Craft, Creativity & Design • The Collins Foundation • Maribeth Collins • The Feves Family • John Gray • Ronna & Eric Hoffman • Meyer Memorial Trust • Oregon Potters Association • Jinx Whiteman Patterson • Arlene Schnitzer • Harold & Arlene Schnitzer CARE Foundation • John Shipley

EXHIBITIONS AND PUBLIC PROGRAMS ARE SUPPORTED BY:

We are grateful for 75th Anniversary Anchor Support from the following

PNCA+FIVE Ford Institute for Visual Education

The Collins Foundation · The Ford Family Foundation · Institute of Museum and Library Services · The Robert Lehman Foundation, Inc · Meyer Memorial Trust · James F. & Marion L. Miller Foundation · Western States Arts Federation · National Endowment for the Arts · Whiteman Foundation

Cynthia Addams · Ginny Adelsheim · Bank of America · John & Suzanne Bishop · Mary & Brot Bishop · Virginia Campbell · Maribeth Collins · Truman Collins · Sue Cooley · Anne & James F. Crumpacker · Czopek & Erdenberger · Carol Edelman · John Gray · Ray & Jere Grimm · Harold & Arlene Schnitzer CARE Foundation · Ronna & Eric Hoffman · Sue Horn-Caskey & Rick Caskey · HW Irwin & DCH Irwin Foundation · The Jackson Foundation · Selby Key · Connie Kiener · Anne Koerner · Sally & John Lawrence · Dorothy Lemelson · Doug Macy · Mary Maletis · Linda & Ken Mantel · M.J. Murdock Charitable Trust · Widney & Glenn Moore · Linda & Bill Nicholson · Oregon Cultural Trust · Oregon Potters Association · Paul G. Allen Family Foundation · PGE Foundation · Regional Arts & Culture Council · Dick & Deanne Rubinstein · Luwayne “Buzzy” Sammons · Arlene & Harold Schnitzer · Bonnie Serkin & Will Emery · Manya Shapiro · Joan & John Shipley · Ken Shores · Carol Smith-Larson · Al Solheim · Cornelia & William Stevens · The Standard · Susan Thayer Farago · US Bank · Vibrant Table Catering · Larry & Dorie Vollum · Steve & Tisha Vollum · Wessinger Foundation · Wyss Foundation · ZGF Architects LLP · ZIBA

With special thanks to: Portland Monthly