Generations: Betty Feves

Release date: 01/27/12

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FOR IMMEDIATE RELEASE
January 26, 2012

Contact:
Lisa Radon, Communications Specialist
Pacific Northwest College of Art
lradon@pnca.edu, 971 255 5528

Becca Biggs, Director of Communications
Pacific Northwest College of Art
bbiggs@pnca.edu, 971 255 5511

Generations: Betty Feves
First retrospective of work by important Northwest Artist

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Generations: Betty Feves
March 15, 2012 – July 28, 2012
Curated by Namita Gupta Wiggers

January 26, 2012—Portland, OR— The capstone exhibition of Museum of Contemporary Craft’s 75th Anniversary Year, Generations: Betty Feves is a comprehensive retrospective of work by this important Northwest Modernist ceramic artist. Opening March 15, 2012, the exhibition will include work from every period of her 40-year career which began with studies under Clyfford Still and Alexander Archipenko, included studies in New York City during World War II, and later, decades in Pendleton, Oregon.

Feves was nationally engaged and regionally focused. She spoke at the first conference of the American Craftsmen’s Council (now the American Craft Council) at Asilomar, California in 1957 along with Peter Voulkos and Marguerite Wildenhain. At the same time she was deeply inspired by the Oregon landscape; rounded stone and basalt slab forms repeatedly found their way into her pieces. And Feves relentlessly experimented with materials and processes. She dug her own clays from locations like Oregon’s Dead Man’s Pass, sometimes mixing them with brick clay from LaGrande. And she created all of her own glazes from local sources such as grasses and the leaves of locust trees in her own backyard. “Decayed basalt, as she called it, became a routine ingredient in the clay mixture she used for sculpture, giving a texture and quality of color quite unlike any other,” says American raku pioneer Hal Reigger who collaborated with Feves beginning in the 1950s. “I believe one could look at just a small section of the surface of one of her things and know right off who made it.” With Reigger, Feves explored what they called primitive techniques including bonfire firings. Reigger was among those who praised Feves for her structural innovations in her large-scale Modernist sculptures.

Additionally, Feves was an important catalyst in her community, quietly mentoring and guiding scores of individual artists and musicians while she publicly advocated for the arts as a longtime member of the Pendleton School Board and while serving on the state’s Board of Higher Education. Feves helped to bring the Suzuki violin method to Oregon and to the Pendleton schools and gave private lessons to generations of young musicians. She took on a number of apprentices, but also reached out to younger artists like well-known Northwest painter James Lavadour, introducing him and his work to collectors and dealers. “Betty illustrated to me what an artist’s role is in a community, what an artist does,” Lavadour says. “An artist doesn’t just make art. An artist serves a community in many different ways.” Lavadour went on to found Crow’s Shadow Institute of the Arts in Pendleton.

It’s fitting that Museum of Contemporary Craft bring together this exhibition which unites pieces from private collections and museums along the West Coast for the first time, along with works from some of Feves’ students and early mentors, including Clyfford Still. Feves had a deep and lasting relationship with Museum of Contemporary Craft which featured her work in the majority of the Museum’s annual ceramic exhibitions throughout the 50s, introducing it to a larger audience. Accompanying the exhibition will be the first full-color publication on Feves’ work produced by the Museum. Generations: Betty Feves is the third exhibition in the Generations series to examine the history of craft in the Pacific Northwest.

ABOUT MUSEUM OF CONTEMPORARY CRAFT
Committed to the advancement of craft since 1937, Museum of Contemporary Craft in partnership with Pacific Northwest College of Art is one of Oregon’s oldest cultural institutions. Centrally located in Portland’s Pearl District, the Museum is nationally acclaimed for its curatorial program and is a vibrant center for investigation and dialogue, expanding the definition of craft and the way audiences experience it.

ABOUT PACIFIC NORTHWEST COLLEGE OF ART
Since its founding in 1909, Pacific Northwest College of Art (PNCA) has become a leader in innovative educational programs that connect students to a global perspective in the visual arts and design. In addition to its nine Bachelor of Fine Arts degrees, PNCA offers graduate education with an MFA in Visual Studies, a Low-Residency MFA in Visual Studies, an MFA in Critical Theory and Creative Research, and an MFA in Collaborative Design, as well as an MFA in Applied Craft and Design developed in collaboration with the Oregon College of Art and Craft.

PNCA is actively involved in Portland’s cultural life through exhibitions and a vibrant public program of lectures and internationally recognized visiting artists, designers and creative thinkers. With the support of PNCA+FIVE (Ford Institute for Visual Education), the College has a partnership with the nationally acclaimed Museum of Contemporary Craft. For more information, visit pnca.edu.

Presenting Sponsors: Whiteman Foundation, Institute of Museum and Library Services, Mary Maletis

Additional Support: Anonymous, Mary & Brot Bishop, The Center for Craft, Creativity & Design, The Collins Foundation, Maribeth Collins, The Feves Family, John Gray, Ronna & Eric Hoffman, Meyer Memorial Trust, Oregon Potters Association, Arlene Schnitzer, Harold & Arlene Schnitzer CARE Foundation, John Shipley

EXHIBITIONS AND PUBLIC PROGRAMS ARE SUPPORTED BY:
We are grateful for 75th Anniversary Anchor Support from the following

PNCA+FIVE
Ford Institute for Visual Education

The Collins Foundation · The Ford Family Foundation · Meyer Memorial Trust · James F. & Marion L. Miller Foundation · Western States Arts Federation · National Endowment for the Arts · Whiteman Foundation

75th Anniversary Circle of Supporters:
Cynthia Addams · Ginny Adelsheim · Bank of America · John & Suzanne Bishop · Mary & Brot Bishop · Virginia Campbell · Maribeth Collins · Truman Collins · Sue Cooley · Anne & James F. Crumpacker · Czopek & Erdenberger · Carol Edelman · John Gray · Ray & Jere Grimm · Harold & Arlene Schnitzer CAREFoundation · Ronna & Eric Hoffman · Sue Horn-Caskey & Rick Caskey · HW Irwin &DCH Irwin Foundation · The Jackson Foundation · Selby Key · Connie Kiener · Anne Koerner · Dolly Lemelson · Doug Macy · Mary Maletis · Linda & Ken Mantel · Meyer Memorial Trust · M.J. Murdock Charitable Trust · Widney & Glen Moore · National Endowment for the Arts · Linda & Bill Nicholson · Oregon Cultural Trust · Oregon Potters Association · Paul G. Allen Family Foundation · PGE Foundation · Regional Arts & Culture Council · Dick & Deanne Rubinstein · Luwayne “Buzzy” Sammons · Arlene & Harold Schnitzer · Bonnie Serkin & Will Emery · Manya & Howard Shapiro · Joan & John Shipley · Ken Shores · Carol Smith-Larson · Al Solheim · The Standard · Cornelia & William Stevens · Susan Thayer Farago · US Bank · Larry & Dorie Vollum · Steve & Tisha Vollum · Wessinger Foundation · Wyss Foundation · ZGF Architects LLP · ZIBA

Museum of Contemporary Craft
in partnership with Pacific Northwest College of Art
724 Northwest Davis Street
Portland, OR 97209
503.223.2654
MuseumofContemporaryCraft.org

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